"sit in the machine, sit on the machine"
2024
"double daydream nation"
2024
"Contemporary Appearance "
2024
"condensed revision"
2024
"the artists fear of the blank canvas (#1 - #20)"
2024
"Data, Speech, Analysis, Flow, Pressure, Climate"
2023
"untitled (specific object)"
2023
"-----(untitled à main levée)"
2023
"Four little brown owls"
2023
"untitled (storage)"
2023
"Tom Thumb's Mother"
2022
"My height in watercolor"
2022
"Colour and design may differ by country"
2022
"Pappy Protest w. Passmore"
2022
"Something that is hardly anything"
2021
"Something that is hardly anything"
2021
"The Corner Of A Post Card Held Over The Corner Of Another Post Card With A White Paper Clip"
2020
"The Corner Of A Post Card Held Over The Corner Of Another Post Card With A Black Paper Clip"
2020
"Tender arguments for nothing"
2020
"Much Of What The Genre Has To Offer Is Past"
2020
"Patterns, shimmers, scenes"
2019
"Figure Paysage Marine"
2019
"Words Without Songs"
2019
"The Servant Serves"
2019
"Je bouge juste assez pour que personne ne me croit plus là avant mon heure"
2019
"Quoi que je dise ou fasse , d‘autres l‘ auront dit ou fait "
2019
"I always tell the truth, and all money is false"
2019
"Man Made on the Moon"
2019
"Untitled (Antwerp Roast)"
2019
"Untitled, 2018 (Antwerpen roast)"
2019
"Commitin' Jerrycide "
2019
"Commitin' Jerrycide "
2019
"The Missing Piece "
2019
"Material Longevities"
2018
"Pollyanna (adjusted to fit, distorted for the times, more) 2007/ 2008/2012/2018"
2018
"Pollyanna (adjusted to fit, distorted for the times, more) 2007/ 2008/2012/2018"
2018
"Brussels Stool (Prototype)"
2018
"I'm just resting my eyes (poster encounter)*"
2018
"I'm just resting my eyes (pavement encounter)"
2018
"BXL (signifiers) # 1 - # 7"
2018
"For Your Eyes Only June."
2018
"Untitled (targets)"
2018
"This gift paper will become a work of art once it is used to wrap an object, and it's been opened by its addressee, n.d. * "
2018
"Composition trouvé"
2018
"Auto Focus Norwegian Spruce"
2017
"N 50°53’41,47”– E 4°20’29,48”"
2017
"Crunch time speculation"
2017
"(and don't come back), 2017"
2017
"(and don't come back)"
2017
"36 Rendez vous in the English Garden in Munich
(January 26, .2013, 08.01 pm - 08.08 pm)"
2017
"A Modest Language Boundary"
2017
"Notes of a Painter (Black - Red - Blue - Green)"
2017
"Distorted (essay by Daniel Buren for John Knight’s exhibition catalog “Łeetsoii”) - Blue Set"
2017
"Distorted (essay by Daniel Buren for John Knight’s exhibition catalog “Łeetsoii”) - Green Set"
2017
"An envelope by Micah Lexier inside an envelope by Jonathan Monk. An envelope by Jonathan Monk inside an envelope by Micah Lexier."
2017
"Acne Cocktail (after M/M)"
2017
"Letters from Second Home"
2017
"Four Details of a Swimming Costume"
2016
"Workplace Aesthetics Might Not Be Enough"
2016
"A question of development VI"
2016
"A question of development V"
2016
"Translator's introduction (German edition)"
2016
"Translator's introduction (Arabic edition)"
2016
"Distorted (essay by Daniel Buren for John Knight’s exhibition catalog “Łeetsoii”) - Red Set"
2016
"A question of development V"
2016
"A question of development V"
2016
"A poem by repetition by Barry Schwabsky"
2016
"All the sizes available in all the sizes available (Belgian Giraffe)"
2016
"Distorted (essay by Daniel Buren for John Knight’s exhibition catalog “Łeetsoii”) - Black Set"
2016
"Planetarium / Observatory"
2016
"A question of development IV"
2016
"A question of development IV"
2016
"monochrome bleu ONEM"
2016
"A question of development III"
2016
"A question of development III"
2016
"On Sundays, at five o'clock, at the exit door of the Louvre"
2016
"On Sundays, at five o'clock, at the exit door of the Louvre"
2016
"I've got a stock here"
2016
" A question of development II"
2016
"A question of development II"
2016
"Colors in corners (Version 1*)"
2016
"Colors in corners (Version 2)"
2016
"Respiración Artificial / Performance / Eco Oscuro"
2016
"What the living do"
2016
"A question of development I"
2016
"A question of development I"
2016
"fragment uit ' 65 belangrijke en minder belangrijke foto's van de 2e' helft van de 20e eeuw"
2015
"we all feel better in the dark"
2015
"Untitled (butterflies/distinct oscillations)"
2015
"The Venice Biennale 10th Anniversary, 2005-2015"
2015
"Are you bringing animals to the destination ?"
2015
"SIZING & RESIZING - All sound intentions and then the mushroom kicks in."
2015
"statement house (temporary title)"
2015
"Revolution of the Nineteenth Century, (2012-2015)*"
2015
"The Best Couples in the World (Like Salt and Pepper)"
2015
"Colored People (Incomplete copy)"
2015
"Technical without taboo"
2015
"Monkey puzzle, Le désespoir du singe"
2015
"Monkey puzzle, Le désespoir du singe"
2015
"The Serial Universe"
2015
"A Participation Implied by the Ellipses in the Program"
2015
"a copy of Richard Hamilton Whitley Bay, 1965 "
2015
"Small White Element"
2014
"Mad Marginal Chart - fall and return"
2014
"Untitled (Obsolescence)"
2014
"Barrel Shaped Cactus (Without Flower)"
2014
"Interiors (second edition)"
2014
"Untitled (A1 for sunday)"
2014
"Certificate of authenticity"
2014
"Untitled (self-portrait)"
2014
"An unknown man holds a porcelain plate and a pale pink newspaper in his hands likely retrieved during an investigation into their coherence"
2013
"Spanische Wand / Katoptrische Experimente"
2013
"A special free sticker ... "
2013
"The rise and fall of L.A"
2012
"When we are open we are closed and when we are closed we are open."
2011
"What a fucking wonderful audience*"
2011
"Why is produced what is produced"
2011
"untitled (MORE & MORE)"
2011
"Cleaver For President (black & white)"
2011
"Cleaver For President (black &Gold"
2011
"sunday (March 31 - April 03), 2011"
2011
